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Reviews by Edward Lorusso
The Social Secretary
Norma Talmadge
is the star is this brisk 1916 comedy-drama, and she's quite good. She
plays a secretary who keeps getting unwanted attention from her male
bosses, so she makes herself dowdy and goes to work as the social
secretary for a rich woman. She then gets involved in the household
dramas of the rich family in a series of episodes. She is beautiful and
a very good actress. It's easy to see why Norma Talmadge was one of the
biggest stars of the 20s.
This is a good little film, which also
boasts Erich von Stroheim as the Buzzard, Gladden James as the boy
friend, Kate Lester as the matriarch, Helen Weer (listed as Helen Weir
in the IMDb) as Elsie, Herbert French as the Count, and Nora Cecil and
Vivia Ogden as the spinster secretaries who "never have a problem
with men."
This film was directed by John Emerson,
written by Anita Loos (who once said that Norma Talmadge was the picture
of romance until she opened her mouth), and filmed in New York City.
Interestingly, this plot was used 20 years later as Ever Since Eve, the
last film Marion Davies would star in.
She is, unfortunately, also remembered
as being one of the biggest victims of "talkies." Talmadge
made 2 talkies (New York Nights and DuBarry, Woman of Passion),
which both flopped and then retired from films. Talmadge was rather
infamously married to George Jessel (1934-39) and appeared on his radio
program in the 1930s. Few of Talmadge’s films have survived.
The DVD is of excellent quality, and I
really enjoyed the tints.
The Forbidden City (1918)
Norma Talmadge stars as
San San, a Chinese woman who falls in love with an American (Thomas
Meighan) and is killed when the local war lord discovers she has
had a baby. The baby is brought up in the household but made fun of as
being "American." Talmadge also stars as the grown up
daughter who falls in love with an American (Reid Hamilton) and is
reunited with her father. Somber tale has good sets and decent makeup.
Talmadge is very good in the dual roles, and Meighan is also good,
especially as the younger man. Most of the cast is buried under heavy
makeup, but Talmadge and Meighan look good. The execution of San San
in the hall of draperies is the highlight of the film.
No major silent film star has suffered the loss of
reputation as much as Norma Talmadge. All the other major silent stars
made successful transitions to talkies. But Norma and her sister
Constance (who never even TRIED to make a talkie) were the biggest
names to fade from the screen when sound came in. And while many of
the silent stars were gone by the mid-1930s, they at least had a few
successes in the new medium.
There’s a famous story about Talmadge rebuffing an
autograph hound in the early 30s, saying "I don’t need you any
more." Her failure was so great, that Billy Wilder named his
central character in Sunset Boulevard after her, knowing that
the association of Norma Desmond with Norma Talmadge would set the
doomed character in the public’s mind.
Most of Norma Talmadge’s great silent hits of the
20s are lost, so it’s a rare treat to see a few of her early films. The
Forbidden City, coupled with The Social Secretary on this
DVD, at least gives us a glimpse of this legendary star.
Excellent quality and wonderful music (Robert
Israel?) |